Berlim, Berlim, Germany
Suggest Place to Visit
6050
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The Grunewald Church is a Protestant church in the Berlin district of Grunewald in the Charlottenburg-Wilmersdorf district. The stone building in late Gothic form was heavily administered during the Second World War. From 1956 to 1959 the rights of the war-described church in the rights by the architect Georg Lichtfuß. The church is a listed building.
The villa colony of Grunewald was declared an independent rural community on April 1, 1899. In the claim and the management of the villa suburb, the desire to have one's own house of worship was stirred. The Kurfürstendamm Society was available as a building site and triangular property in the knee of Bismarck-Allee, and 150,000 marks for the church. In 1901 a competition was announced in which the late Gothic forms were made a condition of the von Haustein. 45 works were heard. The architects have to emerge who do justice to the personal character of the place, the price and the price of 2000 and 1000 marks. The winner of the competition, the government master builder Philipp Nitze from Halle (Saale), was managed with the construction. The first groundbreaking rights in July 1902, in August 1903 the tower construction was completed and in December 1903 the actual construction work was done. Never let the interior decoration die. Foundations financed by community members of the villa colony raised 54,000 marks for the organ, bells and windows. With the installation of a Sauer organ war, the interior fittings, which influenced the inauguration of the church, die. In 1921 Dietrich Bonhoeffer was confirmed here. During World War II, the church became heavy when an air mine tore off the roof of the church. From 1949 the church was rebuilt, but more listened to than expected. On April 12, 1959, the church was rededicated.
A rectangular, three-aisled hall church with its own wide aisles was built on a small triangular square. The altar apse is also rectangular. The square tower is located on the side between the nave and the altar apse. The sacristy is symmetrical to the tower. In contrast to the brick that followed at the time, yellow-gray tuff and green and blue Main sandstone were used to match the villa character of the area. The church with its early Gothic forms became the center of the careful villa development. The sculptor Otto Richter, the painter Hans Seliger, the glass painter August Oetken and the art blacksmith Paul Golde did the artistic design. During the winding up of the church, which in the exercise of rights, the architect Georg Lichtfuß replaced the first gothic, gestural entrance porch with a simple, copper-covered half-barrel to two slim ones from 1956 to 1959.
The interior walls of the nave are brightly plastered, only the pillars, the tracery of the window and the frame of the triumphal arch that separates the choir from the nave are made of gray sandstone. The parapets of the galleries are also stony. Today the three-bay star vault spans over the ship today a barrel vault, which consists of Rabitz and which was adhered to in the roof construction and into which stabbed caps protrude. The choir is covered by a pointed vault. Only the arcades and the side gallery have a ribbed vault.
Until it was destroyed in March 1943, the church had six antique glass windows with stained glass. They were heard with unadorned emergency glazing, from 1993 through newly designed windows based on designs by Johannes Schreiterrechte. The substructure of the final pulpit, which, like the one on the right-hand side of the archway, was preserved, but not the pulpit with the reliefs. The counterpart to the pulpit, the baptismal font on the personal side, had survived the war, albeit damaged.
The oil painting in the entrance hall depicting Charlemagne with Pope Leo III. and shows two bishops, feast of Julius Schrader. One of the inside of the political door in the nave is on the designed portal, which consists of two scrolled figures, on the right and left of the portal opening, on relief in another triangular crown. Be relief is a scene of the resurrection of Jesus Christ.
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